Add description, images, menus and links to your mega menu
A column with no settings can be used as a spacer
Link to your collections, sales and even external links
Add up to five columns
Add description, images, menus and links to your mega menu
A column with no settings can be used as a spacer
Link to your collections, sales and even external links
Add up to five columns


Open the main COLORPOP HALFTONES file. Go to Window > General > Layers to open your Layers Panel.
In the Layers Panel, click the Layer Group dropdown arrow to view the contents.
Double click the Embedded Document thumbnail to open it.
Paste, scale, and position your image in the Embedded Document file. Hide the existing Example Art. Save and close the Embedded Document file.
Navigate back to the main ColorPop Halftones file. Your art should now be visible with halftones applied.
Turn on visibility of ONE of the halftone sublayers. Turn off visibility of all other halftone options.

Highlight your chosen halftone layer in the Layers Panel.
Select the Fill Tool and a scale/rotation handle will appear. Drag the handle to your desired halftone scale and angle.

The Color Preset layers are all marked with a RED layer label. Turn on the visibility of any ONE of the Color Presets layers.
(Otherwise, turning off all Color Preset layers will result in a standard Process Color palette, similar to how a CMYK image is generated).
The Color Presets use Affinity’s Gradient Map feature. You can also double click on any of the Color Preset layer thumbnails to open your Gradient Map editor.
Change these colors to your own preference, as well as move the sliders around to optimize the appearance of your graphic.

If you are printing on dark fabric, such as Black, Navy, or Dark Brown, you may choose to knockout your darkest ink color. This will result in less ink and a much softer print.
To accomplish this, highlight the top “COLORPOP HALFTONES” layer group. Click on the gear icon at the top right of the Layers Panel to bring up the Blend Options.
Under the “Source Layer Ranges” section, click to add a new point as shown here. Drag the top leftmost point to the bottom, aligned vertically underneath your newly created point. (Make sure your bottom background layer visibility is turned off so you can see the dark ink color drop away.)
If you are printing on light fabric, such as white, yellow, or light blue, you may choose to knockout your lightest ink color.
To accomplish this, use the same method as described in Step 6, except you will want to position the points at the opposite end of the Source Layer Ranges graph.

Make sure the “Background” layer visibility is turned off.
Go to File > Export > Export and use similar settings shown here for best results.
